Welcome to my scribbles !

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Monday, 9 February 2026

The Rare Carnatic Rāgas that Flow through Ilaiyaraaja’s Universe

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The Rare Carnatic Rāgas that Flow through Ilaiyaraaja’s Universe The Rare Carnatic Rāgas that Flow through Ilaiyaraaja’s Universe ...
Saturday, 7 February 2026

Sahana & Nalinakanthi — The Cinematic Voices of Ilaiyaraaja, Rahman & Deva

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Sahana & Nalinakanthi — The Cinematic Voices of Ilaiyaraaja, Rahman & Deva 🎶 Sahana & Nalinakanthi — The Cinemati...
Monday, 26 January 2026

The Counterpoint of Circuits – Vikram (1986)

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The Counterpoint of Circuits – Vikram (1986) The Counterpoint of Circuits – Vikram (1986) Exploring Il...
Sunday, 25 January 2026

Ilaiyaraaja’s Rain Ragas: Amruthavarshini and the Unique Hindustani Encounter

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Ilaiyaraaja’s Rain Ragas: Amruthavarshini and the Unique Hindustani Encounter 🌧️ Ilaiyaraaja’s Rain Ragas: Amruthavarshini ...
Saturday, 24 January 2026

Kaapi and Mohanam — Two Dimensions of Emotion in Ilaiyaraaja’s Music

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🎶 Kaapi and Mohanam — Two Dimensions of Emotion in Ilaiyaraaja’s Music 🎶 Prelude Tamil cinema has long drawn from the Carnat...
Sunday, 18 January 2026

Two Vasanthams — Two Ragas, One Emotion

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Two Vasanthams — Two Ragas, One Emotion Two Vasanthams — Two Ragas, One Emotion Ilaiyaraaja’s oeuvre represents the seamless conve...
Friday, 16 January 2026

Violin Concerto – Raja Paarvai (1981): An In-Depth Analysis

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Violin Concerto – Raja Paarvai (1981): An In-Depth Analysis Violin Concerto – Raja Paarvai (1981) A Comprehensive Stud...